One may best describe Claudia Märzendorfer‘s artistic practice as an attempt to portray a moment that seems to be out of control, at once impossible and somehow „wrong“. Rather than making works for eternity (and products for the art market), the artist is interested in the processual, the transformation, as well as in a work‘s complete dissolution or disappearance. Thus, „time“ is a subject in all her works, both in ephemeral sculptural installations and in objects, which were produced with a monumental amount of time. For the artist, time is the „only neutral currency“ – an entity that, regardless of background and social status is and remains the exact same measure.
Since the end of the 1990s, Märzendorfer has been developing and working with a technique and material that meets her interest in the volatile and uncontrollable: she produces objects with frozen water (sometimes also frozen ink) – ephemeral, unstable sculptures, whose disintegration begins at the moment of their presentation. These generate unique, magic situations that, like musical live performances always bear an instant of surprise.
(CM in an interview on sustainability, 2014)